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Seattle cinephiles, mark your calendars! Noir City Seattle is back for its 17th year, taking over SIFF Cinema Downtown from February 14-20, 2025. This year’s festival pays tribute to the unforgettable women who defined the golden age of film noir. With 18 classic films, including 12 presented on stunning 35mm and two brand-new restorations, it’s an event no film lover should miss.
The 2025 Noir City lineup shines a light on the femmes fatales whose allure and complexity have become synonymous with the film noir genre. Fans can look forward to the Film Noir Foundation’s latest restoration of Cry Danger, as well as a 4K restoration of Robert Siodmak’s Phantom Lady. Many of the featured films star the iconic actresses profiled in Eddie Muller’s acclaimed 2002 book Dark City Dames: The Wicked Women of Film Noir, which will be reissued in a revised and expanded edition this April.
Noir City Seattle will kick off with a bang, as Eddie Muller, the “Czar of Noir” himself, hosts all screenings from February 14-16. Known for his work as the founder of the Film Noir Foundation and a host on Turner Classic Movies, Muller will bring his wealth of knowledge and passion to the stage. From February 17-20, local noir experts Vince and Rosemarie Keenan will take over hosting duties, providing engaging commentary and fascinating insights into the world of film noir.
Opening Night promises to be a memorable affair. Starting at 5:30 PM, attendees can enjoy a live jazz performance by the Dmitri Matheny Quintet. Known for his lyrical flugelhorn style, Matheny and his all-star band will perform classic jazz inspired by the silver screen. The performance will set the mood for the evening’s screening of The Narrow Margin, a quintessential noir gem.
This year’s lineup of 18 films is a cinephile’s dream, with 12 presented on glorious 35mm, offering an authentic viewing experience. The combination of classic storytelling, rich cinematography, and iconic performances ensures a week of unforgettable movie magic.
Noir City Seattle runs from February 14-20, 2025, at SIFF Cinema Downtown. Don’t miss this opportunity to immerse yourself in the shadowy world of film noir and celebrate the women who defined an era of cinematic intrigue. For tickets and the full schedule, visit the SIFF website.
Get ready to lose yourself in the mystery, glamour, and danger of Noir City Seattle—where the femmes fatales reign supreme!
Passes – $158 Non-Members ($133 SIFF Members)
Tickets – Now on sale to SIFF Members; On sale to public starting January 24.
Regular: $20 ($15 SIFF Member)
Senior (65+) & Student (with valid ID): $19
Child (12 and Under): $15
USA | 1952 | 71 min. | Richard Fleischer
Set mostly on a train rife with killers, a tough cop (Charles McGraw) is assigned to haul a mobster’s wife to L.A. to testify against a gang of mobsters. Marie Windsor gives one of her signature performances in this inventive B film thriller.
USA | 1954 | 90 min. | John H. Auer
Ready for a hundred-proof dose of “Tiki Noir?” Evelyn Keyes goes undercover as a taxi-dancer in Honolulu’s notorious red-light district searching for her missing GI husband. Toss sultry and statuesque Marie Windsor into the mix and it’s noir Nirvana with a slack-key guitar soundtrack.
USA | 1950 | 86 min. | George Sherman
Cop Richard Conte poses as a doctor to investigate a murder in a big city hospital. Coleen Gray is the dedicated nurse who helps him get to the bottom of things—which may include the East River. Shot on location in New York City’s Bellevue Hospital.
USA | 1949 | 68 min. | Abby Berlin
Intended as the first in a series of B features about an intrepid policewoman (stylish and vivacious Marsha Hunt), this engaging entry was the only one produced. Although modestly budgeted, it has a sharp and satisfying script from B veteran George Bricker, adept direction, and a supporting cast of B stalwarts such as John Litel, Harry Shannon, and June Vincent.
USA | 1947 | 97 min. | Jacques Tourneur
Robert Mitchum and Kirk Douglas vie for the honor of being betrayed by Jane Greer, the most desirable of devil dolls, in this quintessential noir masterpiece. A grubby private eye (Mitchum) is hired by a sleek gangster (Douglas) to rein in his fugitive frail (Greer). Equal measures of poetry, poignancy, and hardboiled fatalism.
USA | 1951 | 79 min. | Robert Parrish
Film Noir Foundation Restoration. When Rocky Mulloy (Dick Powell) is sprung from prison after serving five years on a robbery charge, he returns to Los Angeles looking to settle things with the crooks who set him up. A shady, wounded war vet (Richard Erdman) and his cellmate’s gorgeous wife (Rhonda Fleming) help him play cat-and-mouse with the local gangster (William Conrad) out to get him. A crackerjack crime film—short, smart, sassy, and full of surprises.
USA | 1949 | 95 min. | John Berry
Audrey Totter pulls out all the stops portraying her ultimate “bad girl,” vile voluptuary Claire Quimby, in one of the most underrated noir films of the forties. Richard Basehart plays a milquetoast pharmacist married to the over-sexed and chronically unfaithful Claire. But this sad sack has a plan to get revenge.
USA | 1949 | 93 min. | John Farrow
This Faustian tale of soul corruption has campaigning politician Thomas Mitchell making a devilish pact with slick fixer Nick Beal (Ray Milland)—who may be Lucifer incarnate. Beal ensnares the faithful family man in a scandalous affair with delectable devil-doll Audrey Totter, over whom he casts a devious spell.
USA | 1950 | 97 min. | John Cromwell
The best “women behind bars” movie ever made. Sentenced to prison for her role in a robbery that killed her husband, innocent Marie Allen (Oscar-nominated Eleanor Parker), undergoes a degrading transformation in the “joint.” Writer Virginia Kellogg went undercover as an inmate in several southern prisons to research the groundbreaking and controversial script.
USA | 1953 | 83 min. | Phil Karlson
Very few films captured as well as 99 River Street the pulpy delights of 1950s paperback crime fiction, making this perhaps the signature film of slam-bang director Phil Karlson. Amid the gaggle of tough guys, Evelyn Keyes and Peggie Castle radiate sexy charisma. A “one long night” thriller that delivers nail-biting suspense start to finish.
USA | 1944 | 95 min. | Edward Dmytryk
Philip Marlowe (Dick Powell), quintessential L.A. private eye, searches for an ex-con’s girlfriend, but winds up swimming in deceit and double-crosses. A brilliant evocation of novelist Raymond Chandler’s favorite corrupt city, featuring tempting Claire Trevor as the femme fatale, a role that re-vamped her career.
USA | 1951 | 67 min. | Mickey Rooney
Mickey Rooney directed this unusual drama, produced in association with True Story magazine. Helen Walker (Nightmare Alley) gives a fantastic performance as an ex-con who gets railroaded into working with a gang of thieves who are after an unusual payoff—a supply of myrrh, the secret ingredient used in “Temptation” perfume.
USA | 1948 | 79 min. | Anthony Mann
Dennis O’Keefe busts out of prison hellbent on settling scores with double-crossing gangster Raymond Burr. Along for the ride are good-girl social worker Marsha Hunt and bad-girl gun moll Claire Trevor, duking it out for the soul of this vengeful homme fatale.
USA | 1956 | 85 min. | Stanely Kubrick
You’ll think you’ve died and gone to hardboiled heaven. Or is it hell? Kubrick was only twenty-eight when he unleashed this twisty and twisted masterpiece studded with diamond-hard dialogue courtesy of pulp master Jim Thompson. Sterling Hayden arranges a clockwork racetrack robbery only to learn the hard way what happens to best-laid plans.
USA | 1945 | 68 min. | Edgar G. Ulmer
Ann Savage’s ferocious performance as “Vera” is at the black heart of this classic—the ultimate in noir fatalism. Tom Neal plays Al Roberts who hitchhikes cross-country to reunite with his estranged girlfriend. Things go from bad to worse once vixenish vagabond Vera gets her hooks into him.
USA | 1944 | 87 min. | Robert Siodmak
Ella Raines is “one hep kitten” as she high-heels her way through the noir demimonde, searching for the one woman who can save her boss from a murder rap. Director Siodmak wrings every bit of shadowy mystery from the novel by master of suspense Cornell Woolrich. New 4K digital restoration!
USA | 1954 | 94 min. | Victor Saville
Johnny McBride (Anthony Quinn) is injured in a car accident and wakes to discover he has no memory and no fingerprints! Then he discovers he’s wanted for murder! This Mickey Spillane story has one of the genre’s kinkiest climaxes, making maximum use of fulsome fifties femme Peggie Castle.
USA | 1951 | 111 min. | Billy Wilder
On its release, critics called this the most bitter, cynical, mean-spirited movie ever made. It still might hold the honor. What’s certain is how scarily prescient Wilder’s tale of media manipulation turned out to be. Kirk Douglas is stupendously rotten as a reporter reclaiming the spotlight. A genuine masterpiece.
FRI FEB 14
6:30pm – The Narrow Margin (35mm)
8:45pm – Hell’s Half Acre (35mm)
SAT FEB 15
12:30pm – The Sleeping City (35mm)
3:00pm – Mary Ryan, Detective (35mm)
6:00pm – Out of the Past (35mm)
8:45pm – Cry Danger (35mm)
SUN FEB 16
12:30pm – Tension (35mm)
3:00pm – Alias Nick Beal (35mm)
6:00pm – Caged (35mm)
8:45pm – 99 River Street (35mm)
MON FEB 17
6:00pm – Murder, My Sweet (35mm)
8:45pm – My True Story (35mm)
TUE FEB 18
6:00pm – Raw Deal
8:30pm – The Killing
WED FEB 19
6:00pm – Detour
8:30pm – Phantom Lady
THU FEB 20
6:00pm – The Long Wait
8:30pm – Ace in the Hole
Written by: Ace Hartmann
99 River Street Ace in the Hole Alias Nick Beal Caged Cry Danger Detective Detour Eddie Muller Film Noir Foundation Hell's Half Acre Murder My Sweet My True Story Noir City Noir City Seattle Out of the Past Phantom Lady Raw Deal SIFF SIFF Cinema Downtown tcm Tension the “Czar of Noir” The Killing The Long Wait The Narrow Margin The Sleeping City Turner Classic Movies
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