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Seattle cinephiles and noir aficionados take note—NOIR CITY: Seattle is back with a vengeance, and this year, it’s all about the dames. From February 14-20, the festival takes over a brand-new venue, SIFF Cinema Downtown (2100 4th Street), delivering a week of femme fatales, shadow-drenched cinematography, and the intoxicating pulse of jazz that underscores the very essence of film noir.
The 2025 lineup is a celebration of women’s legacy in noir cinema, featuring a stunning selection of classic films that shaped the genre. Out of the eighteen films screening, twelve will be presented in their original 35mm glory, offering audiences an authentic glimpse into the cinematic past. One of the festival’s crown jewels is the Film Noir Foundation’s restoration of Cry Danger (1951), a hard-boiled gem that showcases Dick Powell in one of his grittiest roles. Adding to the excitement, NOIR CITY: Seattle will also screen the freshly restored 4K edition of Phantom Lady (1944), directed by Robert Siodmak and newly revitalized by Universal Pictures.
This year’s program highlights the unforgettable actresses profiled in Eddie Muller’s seminal 2002 book Dark City Dames: The Wicked Women of Film Noir, which will see a revised and expanded reissue in April 2025. Muller—often dubbed the ‘Czar of Noir’—will personally host all screenings during the festival’s opening weekend, February 14-16, bringing his signature insight and expertise to each film. Taking over for the latter half of the festival, local noir experts and authors Vince and Rosemarie Keenan will guide audiences through the shadowy streets of noir history.
Opening Night promises to be an event to remember. Before the screening of The Narrow Margin (1952), audiences will be treated to a special jazz performance by the Dmitri Matheny Quintet. Known for his evocative flugelhorn work, Matheny, along with his all-star ensemble, will set the tone with a selection of jazz standards that capture the mood of mid-century crime cinema. The music begins at 5:30 p.m., making for an ideal way to start a noir-soaked Valentine’s weekend.
For die-hard noir fans, the all-access NOIR CITY Pass grants entry to every screening and event throughout the festival. Individual tickets and full schedule details are available now—secure your spot in the shadows before they vanish into the fog.
Whether you’re drawn to the allure of femme fatales, the dark poetry of chiaroscuro lighting, or the timeless tension of noir storytelling, NOIR CITY: Seattle is set to be a cinematic experience like no other. Step into the darkness—if you dare.
Passes – $158 Non-Members ($133 SIFF Members)
Tickets – Now on sale to SIFF Members; On sale to public starting January 24.
Regular: $20 ($15 SIFF Member)
Senior (65+) & Student (with valid ID): $19
Child (12 and Under): $15
USA | 1952 | 71 min. | Richard Fleischer
Set mostly on a train rife with killers, a tough cop (Charles McGraw) is assigned to haul a mobster’s wife to L.A. to testify against a gang of mobsters. Marie Windsor gives one of her signature performances in this inventive B film thriller.
USA | 1954 | 90 min. | John H. Auer
Ready for a hundred-proof dose of “Tiki Noir?” Evelyn Keyes goes undercover as a taxi-dancer in Honolulu’s notorious red-light district searching for her missing GI husband. Toss sultry and statuesque Marie Windsor into the mix and it’s noir Nirvana with a slack-key guitar soundtrack.
USA | 1950 | 86 min. | George Sherman
Cop Richard Conte poses as a doctor to investigate a murder in a big city hospital. Coleen Gray is the dedicated nurse who helps him get to the bottom of things—which may include the East River. Shot on location in New York City’s Bellevue Hospital.
USA | 1949 | 68 min. | Abby Berlin
Intended as the first in a series of B features about an intrepid policewoman (stylish and vivacious Marsha Hunt), this engaging entry was the only one produced. Although modestly budgeted, it has a sharp and satisfying script from B veteran George Bricker, adept direction, and a supporting cast of B stalwarts such as John Litel, Harry Shannon, and June Vincent.
USA | 1947 | 97 min. | Jacques Tourneur
Robert Mitchum and Kirk Douglas vie for the honor of being betrayed by Jane Greer, the most desirable of devil dolls, in this quintessential noir masterpiece. A grubby private eye (Mitchum) is hired by a sleek gangster (Douglas) to rein in his fugitive frail (Greer). Equal measures of poetry, poignancy, and hardboiled fatalism.
USA | 1951 | 79 min. | Robert Parrish
Film Noir Foundation Restoration. When Rocky Mulloy (Dick Powell) is sprung from prison after serving five years on a robbery charge, he returns to Los Angeles looking to settle things with the crooks who set him up. A shady, wounded war vet (Richard Erdman) and his cellmate’s gorgeous wife (Rhonda Fleming) help him play cat-and-mouse with the local gangster (William Conrad) out to get him. A crackerjack crime film—short, smart, sassy, and full of surprises.
USA | 1949 | 95 min. | John Berry
Audrey Totter pulls out all the stops portraying her ultimate “bad girl,” vile voluptuary Claire Quimby, in one of the most underrated noir films of the forties. Richard Basehart plays a milquetoast pharmacist married to the over-sexed and chronically unfaithful Claire. But this sad sack has a plan to get revenge.
USA | 1949 | 93 min. | John Farrow
This Faustian tale of soul corruption has campaigning politician Thomas Mitchell making a devilish pact with slick fixer Nick Beal (Ray Milland)—who may be Lucifer incarnate. Beal ensnares the faithful family man in a scandalous affair with delectable devil-doll Audrey Totter, over whom he casts a devious spell.
USA | 1950 | 97 min. | John Cromwell
The best “women behind bars” movie ever made. Sentenced to prison for her role in a robbery that killed her husband, innocent Marie Allen (Oscar-nominated Eleanor Parker), undergoes a degrading transformation in the “joint.” Writer Virginia Kellogg went undercover as an inmate in several southern prisons to research the groundbreaking and controversial script.
USA | 1953 | 83 min. | Phil Karlson
Very few films captured as well as 99 River Street the pulpy delights of 1950s paperback crime fiction, making this perhaps the signature film of slam-bang director Phil Karlson. Amid the gaggle of tough guys, Evelyn Keyes and Peggie Castle radiate sexy charisma. A “one long night” thriller that delivers nail-biting suspense start to finish.
USA | 1944 | 95 min. | Edward Dmytryk
Philip Marlowe (Dick Powell), quintessential L.A. private eye, searches for an ex-con’s girlfriend, but winds up swimming in deceit and double-crosses. A brilliant evocation of novelist Raymond Chandler’s favorite corrupt city, featuring tempting Claire Trevor as the femme fatale, a role that re-vamped her career.
USA | 1951 | 67 min. | Mickey Rooney
Mickey Rooney directed this unusual drama, produced in association with True Story magazine. Helen Walker (Nightmare Alley) gives a fantastic performance as an ex-con who gets railroaded into working with a gang of thieves who are after an unusual payoff—a supply of myrrh, the secret ingredient used in “Temptation” perfume.
USA | 1948 | 79 min. | Anthony Mann
Dennis O’Keefe busts out of prison hellbent on settling scores with double-crossing gangster Raymond Burr. Along for the ride are good-girl social worker Marsha Hunt and bad-girl gun moll Claire Trevor, duking it out for the soul of this vengeful homme fatale.
USA | 1956 | 85 min. | Stanely Kubrick
You’ll think you’ve died and gone to hardboiled heaven. Or is it hell? Kubrick was only twenty-eight when he unleashed this twisty and twisted masterpiece studded with diamond-hard dialogue courtesy of pulp master Jim Thompson. Sterling Hayden arranges a clockwork racetrack robbery only to learn the hard way what happens to best-laid plans.
USA | 1945 | 68 min. | Edgar G. Ulmer
Ann Savage’s ferocious performance as “Vera” is at the black heart of this classic—the ultimate in noir fatalism. Tom Neal plays Al Roberts who hitchhikes cross-country to reunite with his estranged girlfriend. Things go from bad to worse once vixenish vagabond Vera gets her hooks into him.
USA | 1944 | 87 min. | Robert Siodmak
Ella Raines is “one hep kitten” as she high-heels her way through the noir demimonde, searching for the one woman who can save her boss from a murder rap. Director Siodmak wrings every bit of shadowy mystery from the novel by master of suspense Cornell Woolrich. New 4K digital restoration!
USA | 1954 | 94 min. | Victor Saville
Johnny McBride (Anthony Quinn) is injured in a car accident and wakes to discover he has no memory and no fingerprints! Then he discovers he’s wanted for murder! This Mickey Spillane story has one of the genre’s kinkiest climaxes, making maximum use of fulsome fifties femme Peggie Castle.
USA | 1951 | 111 min. | Billy Wilder
On its release, critics called this the most bitter, cynical, mean-spirited movie ever made. It still might hold the honor. What’s certain is how scarily prescient Wilder’s tale of media manipulation turned out to be. Kirk Douglas is stupendously rotten as a reporter reclaiming the spotlight. A genuine masterpiece.
FRI FEB 14
6:30pm – The Narrow Margin (35mm)
8:45pm – Hell’s Half Acre (35mm)
SAT FEB 15
12:30pm – The Sleeping City (35mm)
3:00pm – Mary Ryan, Detective (35mm)
6:00pm – Out of the Past (35mm)
8:45pm – Cry Danger (35mm)
SUN FEB 16
12:30pm – Tension (35mm)
3:00pm – Alias Nick Beal (35mm)
6:00pm – Caged (35mm)
8:45pm – 99 River Street (35mm)
MON FEB 17
6:00pm – Murder, My Sweet (35mm)
8:45pm – My True Story (35mm)
TUE FEB 18
6:00pm – Raw Deal
8:30pm – The Killing
WED FEB 19
6:00pm – Detour
8:30pm – Phantom Lady
THU FEB 20
6:00pm – The Long Wait
8:30pm – Ace in the Hole
Written by: Ace Hartmann
‘Czar of Noir’ Dark City Dames: The Wicked Women of Film Noir Eddie Muller film noir Film Noir Foundation Noir Noir City Noir City Seattle Seattle Seattle Noir SIFF SIFF Cinema Downtown the Dmitri Matheny Quintet
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